DUBSTEP FRIDAY

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Kid Kut - It’s Allll About Blog Mix

TL
Roqqert - Give it - Dubplate
Mount Kimbie - Fifty Mile View - Hotflush Recordings
F - Epilogue (Ramadanman rerub) - 7even Recordings
Justice & Deep Blue - Soul Function - Dubplate
Recordshop Collective - Sun Island - Dubplate
Furesshu - Horizons (Asusu remix) - Dubplate
Furesshu - 1993 - forthcoming Project Squared
Kidders - Darkside of the Moon - Dubplate
Spherix & Sigha - Separation - forthcoming Immerse Records
Scuba - Negative - Naked Lunch
XI - 000 - forthcoming Immerse Records
Dj Madd - I know its you - Boka
October - Elephants - Immerse Records
D1 - ET - Dubplate
Daega Sound System - Mercury Sky - Dubplate
L-OW - Rasta from Alaska - Dubplate
Ramadanman & Appleblim - Justify - Applepips
Late - Losing You - forthcoming Immerse Records
Dj Trax - Change Soon Come (from 1000 pictures album - Audio Buffet
Joy Orbison - Hyph Mngo - Hotflush Recordings
Macc - Fake Buss - forthcoming Inperspective

http://www.itsalllabout.com/

dl mp3


from Blackdown:

Download the Hatcha 2002 mix CD: here.

In the earliest days of dubstep the scene really was a tiny collective, with perhaps no more than 50 or so interested participants. In those times the way music got distributed (long before broadband), was by the passing of CDs, often down at Forward» and this promo mix CD by Hatcha is one of several he gave out. I have two or three (including the 2005 “Practice Hours” one) and I bet even more exist. They’re unique records in the development of dubstep, not least because more than anyone ever has and perhaps ever will, Hatcha singularly had more influence over what dubstep was and has now become.

The hardest part is dating it. My educated guess is 2002 or failing that late 2001. You can date stamp it by book-ending it with producers it doesn’t feature. At one end you have no Ghost, Zed Bias or warm garagey beats, so that rules out 2000 and early 2001. On the other hand there’s no Mala, no Loefah or coki, so that rules out 2003 when “Pathwayz” and a whole host of DMZ other beats began to emerge through his sets. And it’s long before he began blew up Scuba, Distance and Caspa by playing their new dubs. There’s even a little bit of 8bar grime, from Jon E Cash and Soulo (aka Jameson), which was never a huge feature of Hatcha’s sets, though it popped up from time to time.

from Blackdown:

Download the Hatcha 2002 mix CD: here.

In the earliest days of dubstep the scene really was a tiny collective, with perhaps no more than 50 or so interested participants. In those times the way music got distributed (long before broadband), was by the passing of CDs, often down at Forward» and this promo mix CD by Hatcha is one of several he gave out. I have two or three (including the 2005 “Practice Hours” one) and I bet even more exist. They’re unique records in the development of dubstep, not least because more than anyone ever has and perhaps ever will, Hatcha singularly had more influence over what dubstep was and has now become.

The hardest part is dating it. My educated guess is 2002 or failing that late 2001. You can date stamp it by book-ending it with producers it doesn’t feature. At one end you have no Ghost, Zed Bias or warm garagey beats, so that rules out 2000 and early 2001. On the other hand there’s no Mala, no Loefah or coki, so that rules out 2003 when “Pathwayz” and a whole host of DMZ other beats began to emerge through his sets. And it’s long before he began blew up Scuba, Distance and Caspa by playing their new dubs. There’s even a little bit of 8bar grime, from Jon E Cash and Soulo (aka Jameson), which was never a huge feature of Hatcha’s sets, though it popped up from time to time.